Beyond the physical constraints of conventional furniture—such as legs and backrests—I imagined the fleeting moment where a two-dimensional painting transitions into a three-dimensional form.

The work begins with the "hexahedron," the most fundamental and ideal of shapes. The process of carving into the wood and filling the resulting voids with resin mirrors the act of layering pigment onto a canvas. Through this repetitive cycle of "emptying and filling," I have realized unique textures and tonal depths, projecting the colors of nature: the lushness of the fields, the transparency of the sky, and the vital energy of blooming flowers. It is my hope that this three-dimensional painting serves as a gateway to new sensory experiences within the user’s daily life.